Raised in the urban city of Compton, California, Richard Villa always knew he wanted to make people laugh. After completing a Bachelors degree in Mechanical Engineering, Richard felt there was something more out there in stored for him. While driving home one night, the neon lights of the Irvine Improv called his name. Hey Richard!
Seizing the moment of amateur night, Richard grabbed the microphone, went on stage, and has not stopped since. Using stories of his childhood, Richard Villa turned what he thought were basic experiences into autobiographical satirical humor that depict life for Latinos and other minorities in the United States. Amid his newfound talent in improvisation, Richard was accepted to The Groundlings Theatre Group.
With his comedy and thorough understanding of his audience, Richard Villa became the first Latino to ever host the renowned Hollywood Improv on Friday nights. Sharing the stage with various other talent such as Jeff Garcia, Carlos Mancilla, Gabriel Iglesia, Mike Epps, Orlando Jones and Dat Phan, Richard Villa quickly took over co-host duties at the Ha-Ha in North Hollywood, and the Ontario and Brea Improv.
His ability to appeal to the audience earned him a special invitation by the U.S. Military to perform for the troops on the Combat Comedy Tour which included Iraq, Unit, May, Kyrgyzstan, Afghanistan, Kuwait, Qatar, Bahrain, Djibouti, and Saudi Arabia.
In 2005 Vanguard Cinema released Richards 1st DVD, called Richard Villa: Performing This Way.
Now being hailed as the leader for the new generation of Latino Comics, Richard Villa exemplifies dedication to making other people laugh. With his television appearances on Mun2s Loco Comedy Jam, HBO Latino and Los Angeles based LATV, Richard Villa has turned his talent into animation, becoming a writer and voiceover for MTVs Latin animation, Chico y Guapo.
In a personal project, Richard Villa is aiming at introducing his audience to Border Patrol Tales, a sketch comedy show depicting the social impact and influence of immigrants in the United States.
Comedian Allan Cunningham, the last of the great story tellers. Several years ago while at grad
school at UCLA, I attended a comedy show to blow off some steam. With tears of laughter in
my eyes, I watched as a young comedian captivated an audience of 18 to 24 year-old college
kids and had them laughing hysterically with stories about subjects they hadn't even
experienced in their own lives yet. The pictures he painted with words, along with hilarious
facial expressions, were so vivid that these young adults were able to peak into Allan's life and
his struggles as a young single father raising a selfish daughter who's only sixteen years
younger than him. After his performance, the college students rushed towards him to get
pictures, hugs and hand shakes. I was a little taken aback when I noticed he was the only
African American in the room, yet the way his comedy crossed invisible color-lines,
immediately made me a fan. Even though I didn't have enough time to wait in a long line to
meet the comedian, I stayed in the loop and attended many of his local performances.
Over the years as an audience, we've laughed over stories about his daughter growing into a
young, bratty adult, we were there throughout his many failed relationships and his continued
drama with his mom, dad and three older brothers. His storytelling has gotten so brilliant, we
felt as if we were with Allan in his childhood bedroom while he hid from his middle school
bully. But the way he entertained as well as educated us about his health concerns and allowed
us to experience his trip to the doctor's office during the scariest moment of his life was
I finally approached Allan after his recent performance at Second Mt. Carmel Baptist Church in
Los Angeles. I have seen this man rock colleges, countless comedy clubs and theaters, but
what he did in that church let me know that he is one of the most underrated comedians I've
ever had the pleasure of viewing and I had to let him know that he is destined for greatness. On
stage I've seen him in a vulnerable state after revealing such personal matter, but I've never
seen him embarrassed, until now. After talking for awhile I told him how he made me laugh
during some difficult times in my life; parents divorced, losing my father and grandmother to
cancer in the same year and the stress of med school. He smiled, hugged and thanked my wife
and I like the class act I expected him to be.
The N Word
Born and raised in Chicago, Jonathan Kite was immersed in the world of comedy theater at a young age. He obtained a Bachelor of Fine Arts in Theater Acting from the University of Illinois at Urbana-Champaign, while concurrently studying with the improv group, Second City. In 2003, Kite moved to Los Angeles to pursue a career in acting.
Kite's television credits include "Raising Hope" and the upcoming series, "In the Flow with Affion Crockett."
In 2010, Kite was a part of the Cage Match Competition with iO West Theater, performing head-to-head long-form improv. His team set the national cage match record, winning 52 weeks in a row.
Kite is an avid writer and is finishing his first full length feature film, "The Walk On," which he will also star in and produce. He is an expert mimic, boasting more than 50 impressions and dialects that include Vince Vaughn, Tom Hanks, Seth Rogen, Liam Neeson and Robert Downey Jr. He is an active supporter of various autism and breast cancer charities.
Currently, Kite resides in Los Angeles. His birth date is Sept. 2.
Producer and host of ”Refried Fridays”, Richard Villa, never fails to entertain. In addition to his own brand of heavy-hitting comedy, he brings out the best up and coming talent such as Bret Ernst, Owen Benjamin, Steve Trevino, and Chris Porter, as well as some of the best veteran comics. Past performers on Refried Fridays include Jeff Garcia, Carlos Mencia, Gabriel Iglesias, Joe Rogan, and Ron White – to name a few.
**Arrive by 8:15pm for Dinner and get pre-reserved show-room seating (best available)
**For guests 21+ front bar available for pre-show drinks and first for general admission seating – arrive early, space is limited at the front bar